consists of a set of film fragments and a fictional script for
voice-over. The fragments are extractions from film works at the center
of my research. My research revolves around the position landscape
occupies in film as opposed to its origin in the depiction of scenery.
For this conference I propose to elaborate on a form of script writing
that predominately describes the visualization of landscape. These are
‘scenic notes’ which, once interpreted through film, provide the
locational and atmospherical structure of a film. The presentation will
go back and forth between viewing film fragments, reading script and
listening in on voice-over.